朱译黑格尔美学与现代中国文艺学建设  

Zhu Guangqian's Translation of Hegel's Aesthetics and the Construction of Modern Chinese Literary Theory

作　　者：李咏吟[1] Li Yongyin(the Chinese Department of Zhejiang Universit)

机构地区：[1]浙江大学中文系

出　　处：《文艺理论研究》2017年第5期76-85,共10页Theoretical Studies in Literature and Art

摘　　要：朱译黑格尔《美学》是影响巨大的经典美学著作,它对现代中国文艺学形成了持久性影响。现代中国文艺学的若干重大理论主题,皆植根于朱译本的自由想象与批判性重建,但是,在对朱译本的异质性理解中,我们在一定程度上遮蔽了黑格尔美学的一些重要思想。因此,在朱译本与德文本的比照中重新理解黑格尔美学,这将极大地推进现代中国文艺学的理论建设,从而赋予黑格尔美学以新的思想内涵。As a classic work, Zhu Guangqian＇s translation of Hegel＇s Aesthetics has influenced Chinese literary theory profoundly. Many significant theoretical topics in Chinese literary theory are rooted in either imagination or a critical reconstruction of Zhu＇s translation. However, to some degree, Zhu＇s translation misses some thought of Hagel＇s aesthetics. Therefore, a comparative reading of Zhu＇s translation and Hagel＇s German texts is conducive to a better understanding of Hagel＇s aesthetics and, as a result, to the construction of literary theory in China.

关 键 词：朱光潜 黑格尔 《美学》 现代中国文艺学 

分 类 号：I0[文学—文学理论]