试论舞蹈表演的整体性观念  

Discussions on the Entirety Conception of Dance Performing

作　　者：段妃[1] DUAN Fei(Dance Research Institute, Chinese National Academy of Arts, Beijing 100029, China)

机构地区：[1]中国艺术研究院舞蹈研究所,北京100029

出　　处：《北京舞蹈学院学报》2017年第4期13-16,共4页Journal of Beijing Dance Academy

基　　金：2014年度文化部文化艺术科学研究项目<舞蹈表演的表现力研究>(项目编号:14DE34)的阶段性成果

摘　　要：舞蹈表演是综合的整体性表现艺术,是舞蹈学科发展中的重要方向。在研究舞蹈表演整体性规律和探索其真谛的过程中,演员是整体性表演实践的主体。演员所创造的艺术形象直接反映了其自身的艺术修为和舞蹈表演训练整体性的文化价值。为此,如何建立符合这门艺术特殊规律的、科学的舞蹈表演训练体系,对提高舞蹈演员的表演,无疑具有重要作用。本文通过对舞蹈形象创造的整体性、舞蹈形象审美的整体性、舞蹈形象表现的整体性,来阐述树立舞蹈表演整体性观念的重要性。Dance performing is a comprehensive performing art with entirety,which is the essential field of dance discipline development. When researching and exploring the entire rules and essentials of dance performing,the researchers find that dancers are the subject of the entire performing practice. The artistic images created by dancers directly reflect the dancers ＇ own artistic cultivations and the cultural values of the training entirety of dance performing. Therefore,it is of vital significance to establish the scientific performing training system conforming to the rules of this unique art form in order to improve the dancers＇ performance. This paper expounds the significance of establishing the entirety conception of dance performing through the three aspects： the entirety of dancing images creation; the entirety of dance images aesthetics; the entirety of dance images expression.

关 键 词：整体性 舞蹈表演 舞蹈创作 舞蹈审美 

分 类 号：J712.2[艺术—舞蹈]