生态视域下《生命之树》的多重叙事策略  

Multi narrative strategy of The Tree of Life from the ecological perspective

作　　者：姚娜[1] YAO Na(Baoji College of Technology, Baoji 721000 China)

机构地区：[1]宝鸡文理学院外语系,陕西宝鸡721000

出　　处：《新余学院学报》2017年第5期78-81,共4页Journal of Xinyu University

基　　金：宝鸡文理学院重点科研项目"英美小说中生态视域下身体叙事研究"(ZK16088)

摘　　要：《生命之树》是一部以生命为主题讲述自然和亲情的电影。电影通过复调叙事和意识流手法形成时空体,加之人与自然和人与自我的对话,从而实现了生态视域下的人与自然相通的宏大叙事。复调叙事使得现实客观而立体地呈现在观众面前;意识流手法则淡化了故事情节并缩小了故事中人物和观众的距离,增强了观众对主题的理解与共鸣。恢弘的自然万象变化和反复出现的意象,增强了影片的主题表现力,从而提高了影片的艺术审美价值。The Tree of Life is a film which takes life as the theme and tells nature and family affection. The film forms the spatial and temporal conception with polyphonic narration and stream of consciousness technique plus the discourse between nature and people and sell, thus the grand narration of people and nature is formed from the ecological perspective. The polyphonic narration made the reality objectively and three- dimensionally shown before the audience. However, the stream of consciousness lightened the plot and reduced the distance between story figures and audience, and strengthened the audience＇s comprehension and understanding of the theme. The grand natural change and repeated images increased the theme manifestation and the artistic aesthetic value of the film.

关 键 词：《生命之树》 复调叙事 叙事声音 意识流 意象 生态视域 

分 类 号：J905[艺术—电影电视艺术]