扬州剪纸与文人画的内在联系  

Immanent relationship between Yangzhou paper-cutting and literati painting

作　　者：陈夏贤[1] CHEN Xiaxian

机构地区：[1]南通师范高等专科学校学前教育系,江苏南通226001

出　　处：《淮南师范学院学报》2017年第4期113-116,共4页Journal of Huainan Normal University

摘　　要：扬州剪纸历史悠久是我国南方剪纸的代表,其风格清秀典雅,玲珑剔透,有着"平看条条线,提起成一片"的美誉。文人画是中国绘画中的一类,标榜士气,强调"古意",追求超然物外,是中国绘画发展中的重要内容。前者属于工艺美术的范畴,后者属于中国绘画体系的分支。但是审视扬州剪纸,映射出的是中国文人画的影子。两者之间有着密切的内在联系,有必要深入探究两者的历史渊源、题材表现、文化底蕴以及审美特点等,以揭示两者之间的内在联系。Yangzhou paper-cutting, genuinely representative of Southern China＇s paper-cutting arts, is characterized by its ingenious beauty and exquisiteness. Literati painting, a kind of Chinese painting which boosted morale, emphasized ＂old-fashioned＂, pursued devotions, is an important part in the development of Chinese painting. The former belongs to the category of Arts and crafts, which belongs to the branch of the Chinese painting system. But the study of Yangzhou paper-cutting mapped out the shadow of Chinese literati painting. There is a close relationship between the two, it is necessary to explore the historical origin of the two, subject performance, cultural heritage, as well as aesthetic characteristics, to reveal the intrinsic link between the two.

关 键 词：文人画 扬州剪纸 历史渊源 文化内涵 审美特点 

分 类 号：J528.1[艺术—艺术设计]