古希腊音乐和音乐审美  

Music and Music Aesthetics of Ancient Greek

作　　者：李朝晖[1] 魏凤莲[1] 

机构地区：[1]鲁东大学历史文化学院,山东烟台264039

出　　处：《鲁东大学学报（哲学社会科学版）》2017年第5期34-38,共5页Ludong University Journal:Philosophy and Social Sciences Edition

摘　　要：音乐作为抽象艺术,与绘画、雕刻等艺术的直观表现形式截然不同,古希腊人出于对音乐的推崇,很早就形成了音乐理论和音乐审美。从古希腊最早的神话建构,到毕达哥拉斯的和谐与净化思想,再到古典时代的音乐教化观,每个时代的音乐美学思想都有着不同的特点而又相互联系。本文以时间为线索,对古希腊音乐发展和古希腊音乐审美沿革两个层面之间的相互关系进行了初步探究。As an abstract art,music is entirely different from such visual manifestations as paintings and sculptures. Out of the high praise for music,the ancient Greeks had established the music theories and aesthetics long before. From the earliest myth construction of ancient Greece to the harmony and purification ideology of Pythagoras and then to the musical education concept in the classical age,the aesthetic ideologies of music in different eras had their distinctive features and were interrelated with each other. From the clue to time,this paper makes a preliminary exploration of the interrelation between the music development and the evolution of musical aesthetics in ancient Greece.

关 键 词：古希腊音乐 音乐审美 柏拉图 

分 类 号：K125[历史地理—历史学] J609.12[历史地理—世界史]