东北地域表现性油画探析  

An Analysis of Northeast Regional Performance Oil Painting

作　　者：李吉品[1] 郭晓光[1] 

机构地区：[1]东北师范大学美术学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2017年第5期138-143,共6页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：吉林省社会科学基金项目(2017BS46);吉林省教育科学"十二五"规划2017年度一般规划课题(GH170017)

摘　　要：油画作为西方艺术文化的主要传播介质之一,自明代万历年间传入中国至今已有四百余年的历史。从格格不入的西方形式到逐渐为国人所接受的中国化美术,油画发展的历程不能不说充满坎坷与荆棘。近代以来,画家们愈发重视对自我心灵世界的表现,并力图探索西方油画民族化的前进方向,充满地域性的中国表现主义油画正是站在先辈肩膀上的创新成果,它向世人展示了中国油画充满希望的光明未来。Oil painting as one of the main media of Western art and culture,since the Ming Dynasty Wanli starting in China has a history of four hundred years,from the west to gradually form misfits China art accepted by the people,the development of oil painting away not full of frustrations and thorns,in modern times,the artists pay more attention to the self soul the performance of the world,and tries to explore the direction of Western painting nationalization,full of regional China expressionism painting is standing shoulder to innovation in the predecessors achievements,it is to show the world Chinese painting hope a bright future.

关 键 词：东北 表现性 油画 

分 类 号：J223[艺术—美术]