风景描写:川端康成《雪国》通往莫言《白狗秋千架》的桥梁  

Scenery Description: The Bridge from Kawabata Yasunari's Snow Country to Mo Yan's White Dog and Swing

作　　者：戴松林[1] 翟晶晶 

机构地区：[1]湖南大学外国语学院,湖南长沙410082 [2]张家界航空工业职业技术学院,湖南张家界427000

出　　处：《佳木斯大学社会科学学报》2017年第5期118-122,共5页Journal of Social Science of Jiamusi University

基　　金：湖南省社科基金项目:"日本近代现实主义文学解体的存在论研究-以川端康成为中心"(2010WLH11)

摘　　要：《雪国》对《白狗秋千架》的影响并不止于小说题材、创作思想方面从城市向农村和地方回归的启示,更体现于二者在小说技巧层面所具有的深度共通性。莫言在小说技巧层面学习川端康成主要表现在,通过把人物的内在精神意识融合于眼前的风景,使风景描写具有了标识人物内在精神意识的强度、暗示人物内在精神的转变、渲染主人公的境遇的功能。The influences of Snow Country to White Dog are not only on the novel themes and creative thoughts——inspiration of the return from urban to rural and local,but also on the novel techniques＇ depth commonality. On the novel techniques,Mo Yan＇s study is mainly about： by integrating the inner consciousness of the characters into the immediate scenery,to make the landscape description has the function of identifying people＇s inner spiritual consciousness,suggesting a change in the inner spirit of a person,rendering the protagonist＇s plight.

关 键 词：川端康成 雪国 莫言 白狗秋千架 风景描写 

分 类 号：I106.4[文学—世界文学] I207.4