从“玩偶”的人生到“玩偶”的救赎——东野圭吾小说《白夜行》的女性主义解读  

From Doll's Life to Doll's Redemption——Analysis of Feminism in Keigo Higashino's Novel Walking in the White Night

作　　者：张娴[1] ZHANG Xian(School of Economy ＆ Trade, Anhui Business Vocational College, Hefei 230001, China)

机构地区：[1]安徽工商职业学院经济贸易学院,合肥231131

出　　处：《合肥师范学院学报》2017年第5期83-88,98,共7页Journal of Hefei Normal University

摘　　要：以女性主义批评视角解读东野圭吾推理小说《白夜行》,女主人公以卑劣且邪恶的方式对自己"玩偶"式命运进行自我救赎的过程,其本质仍然是以始终遵照社会对女性的要求及固有习俗和规则为前提的。作家通过一种近乎极端的现代女性形象,颠覆了过去那种默默忍耐、甘为人后的传统女性形象,使女人看似具有经济和人格的双重独立,但在以"男性"价值为主导的男权社会中,现代女性徒有独立的表象,最终还是脱离不了"他者"的悲剧命运。This paper makes a thorough analysis of Keigo Higashino＇s novel Walking in the White Night from the perspective of feminist criticism, the process in which the heroine redeem herself from her fate like a doll in a manner of despieability and evilness, its essence is still that the requirements of society for women and inherent customs and rules are the premise of her self-redemption. By building a near extreme image of modern women, the writer hopes to subvert the female image of silently suffering and devoting to create women of ＂real strength＂ with dependent personality and economic status, but in a male-dominated society, the independent image of women is just pure illusion; they are still trapped in their tragic fate like a ＂the other＂.

关 键 词：东野圭吾 《白夜行》 女性 他者 男权社会 

分 类 号：I106.4[文学—世界文学]