从题序看宋人的词体观  

On the Ci Theory of the Song Dynasty from the Preface

作　　者：张晓宁[1] ZHANG Xiao - ning(School of Humanities, Xi＇ an Polytechnic University, Xi＇ an 710048, China)

机构地区：[1]西安工程大学人文学院,陕西西安710048

出　　处：《南昌大学学报（人文社会科学版）》2017年第5期135-140,共6页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：陕西省教育厅社会科学专项项目"对外语言与文化传播中古代诗词的应用及其对增强西安国际影响力的研究"(17JK0316);西安工程大学哲学社会科学项目"历代词序跋整理与研究"(2015ZXSK31)

摘　　要：北宋著名词人中,有的很擅长题序写作,有的却只是偶一为之,或从未涉足。这种对于题序态度的反差是宋代两种词人——音律家的词人和文学家的词人的分野,同时也是两种词体观的反映:视词为一种音乐形式还是一种文学体裁?南宋这两种词人从表象上看都热衷于题序,但其题序特点所反映的深层的词体观则不同,重视题序的姜派词人其实是音律家词人与文学家词人的合体。Some famous poets of Northern Song Dynasty were very good at writing prefaces, however someothers hardly have interest in it. Actually the opposite attitude to the preface is the dividing line of two kinds of Cipoet at Song Dynasty--musician poets and literature poets, and it reflects the two opposite idea of Song Ci poem：Hethink the Ci as a kind of music style or a literary form？ The two kinds of poet in Southern Song Dynasty are bothlike preface, but the characters and their idea of Song Ci poem are really different too. In fact the Jiang school of Cipoets are combination of musician poets and literature poets.

关 键 词：题序 词体观 词匠 宋朝 

分 类 号：I207.23[文学—中国文学]