文化视域中的唐代燕赵作家颂体文述论  

On Yan-Zhao Writers' Songs Text in Tang Dynasty from the Perspective of Culture

作　　者：张志勇[1] ZHANG Zhi-yong(College of Literature, Hebei University, Baoding, Hebei 071002, China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2017年第5期26-29,共4页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社科基金后期资助项目"唐代颂赞的嬗变"(14FZW009);河北省社科联社会发展项目"燕赵文化视野下唐代颂文研究"(201303008)

摘　　要：唐代颂文在数量上称得上蔚为大观,其中燕赵作家群体的颂文创作更是别具风格,由燕赵文化长期积淀下来的审美观和价值观深深影响了这一地域作家的创作,他们在作品的总体表现上,有着较为突出的"词义贞刚,重乎气质"的特征。以唐代燕赵作家的典型颂体作品为例,揭示此类颂体文创作与北朝儒学的关系,进而明确这些颂体文中折射出的由侠文化与儒文化二元构成、具备"慷慨悲歌"与"典正尚雅"这两大特征的唐代燕赵文化精神,最终明确唐代燕赵作家颂体文的学术价值。Songs text has the large number in Tang Dynasty,and one of the long-term accumulated culture and aesthetic values in Yan-Zhao deeply influenced this region of Writers.Their works have a more prominent ＂Language text is Vehement and Sadness,Outstanding qualities＂ feature.This paper takes the writers＇ Songs of Yan-Zhao areas in Tang dynasty as the typical body works;in turn,can clear the relationship between these literary and Confucian culture,and then includes a＂Vehement and Sadness＂and the＂Literary Quotation Advocated Elegance＂these two features of the Yan-Zhao culture in Tang Dynasty.This allows us to eventually clear the academic value of these works.

关 键 词：唐颂 燕赵文化 慷慨悲歌 北朝士族 词义贞刚 

分 类 号：I206.2[文学—中国文学]