“以诗为词”的表现方式与词作风格之关系——以“寓以诗人句法”为例  

The Connection between the Manifestation Models of Composing Ci As Poetry and the Ci Styles——Taking "Putting Poetic Words into Ci" As an Example

作　　者：李冬红[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《济宁学院学报》2017年第4期60-65,共6页Journal of Jining University

基　　金：教育部人文社会科学研究规划基金项目"词谱的生成机制及其词学功能研究"(16YJA751010)

摘　　要："以诗为词"是宋词的一种创作手法,源于陈师道对苏轼词的评价。"寓以诗人句法"是"以诗为词"的最基本表现方式,但作为品评词人的常用述语,其具体内涵与评价指向与人们对"以诗为词"的变革性认定并非一致。在具体创作过程中,晏几道、秦观等婉约大家将诗之气格转入词体,从而把诗之韵致隐藏于词体主体风貌之中,清柔艳雅,可谓当行本色。苏轼始尝试将诗之内在精神引入词中,并尽力保持诗歌的原有意趣,遂使词染上了诗之气象。"以诗为词"的不同表现手法在词体诗化或保持本色的走向上起着决定性的关键作用。Composing Ci as poetry is a style of creation technique of Song Ci. It is the result of the evaluation for Su Shi by Chen Shidao. Putting poetic words into Ci is the most basic form, but as a term used commonly in the comment on Ci, its specific connotation and evaluation points areni consistent with the transformative meaning. In the creation process, Yah Jidao and Qin Guan hid the poetry charming in Ci and formed soft and colourful style. Su Shi tried to bring the poetry spirits into Ci, and keep the original interest of poetry, making Ci posses the characteristics of poetry. The different manifestation styles of composing Ci as poetry plays a decisive role in the poetic or original tendency.

关 键 词：以诗为词 诗人句法 词作风格 

分 类 号：I207.21[文学—中国文学]