奥登诗作《美术馆》中的悲剧和艺术美  

Tragedy and artistic beauty in “Musée des Beaux Arts”

作　　者：杨群群 欧荣[1] 

机构地区：[1]杭州师范大学外国语学院,浙江省杭州市311121

出　　处：《外文研究》2017年第3期47-52,共6页Foreign Studies

基　　金：教育部人文社会科学规划基金项目“英美现代派诗歌中的城市书写研究”(13YJA752014);浙江省社会科学规划课题“英美现代派诗歌中的城市书写研究”(12JCWW13YB)的阶段性成果

摘　　要：W·H·奥登的著名诗作《美术馆》是取材于16世纪荷兰画家老勃鲁盖尔的四幅油画的艺格符换诗。自从该诗发表后,国内外的学者主要从诗歌的形式、主题、"伊卡鲁斯的坠落"之母题等方面加以分析和研究,尚无人对此诗蕴含的悲剧和艺术美进行探析。通过对绘画艺术的鉴赏和吸收,奥登用短短二十余行诗文深刻描绘了战争年代的苦难和悲剧。奥登用艺格符换的写作手法揭示了他面对悲剧时的沉重心情,从而实现了悲剧与艺术美的完美结合。W. H. Auden's famous poem 'Musée des Beaux Arts'is a typical ekphrastic poem inspired by Peter Bruegel the Elder's four paintings. Since the publication of this poem,the scholars at home and abroad have done various studies on the form,the theme of this poem,the motif of 'the Fall of Icarus',etc. However,little attention has been paid to the combination of the tragedy and artistic beauty in the poem. Through the appreciation and absorption of the art of painting,Auden stoically reveals the suffering and tragedy in the war time. With the employment of the ekphrasis,Auden achieves the perfect integration of the tragedy and artistic beauty.

关 键 词：奥登 美术馆 悲剧 艺术美 艺格符换 

分 类 号：I561[文学—其他各国文学]