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机构地区:[1]上海大学上海电影学院
出 处:《民族艺术研究》2017年第5期100-106,共7页Ethnic Art Studies
基 金:2017年国家新闻出版广电总局社科基金项目"互联网+语境下中国电视剧产业供给侧改革研究";2017年度上海大学高峰学科电影学建设项目成果~~
摘 要:反腐题材电视剧发展至今已有20余年历史,其生产创作也经历了诸多起伏转折。因反腐剧与社会政治语境的密切关联,使得其内含的主旋律文化的崇高审美在这一语境的变迁中呈现出不同的景观。以点面结合的方式,选取关键时间节点且具代表性的三部反腐剧《苍天在上》《绝对权力》《人民的名义》为审美客体,可以探析到反腐剧崇高感的审美渐变历程。反腐剧在不同的历史阶段所体现出来的崇高感呈现较为明显的变化:早期对"清官"形象的塑造体现的是人物形象的感性崇高,中期对"权力-腐败"关系的描绘体现的是主题意义的理性崇高,而当前对人民主体的描写体现的是叙述主体的人性崇高。从这一特殊的理论视角出发,结合社会历史语境与大众审美需求,可透视出反腐剧历史衍变的内在机理。It has been over twenty years since the anti-corruption themed TV series was created and its production has experienced ups and downs during those years. Because of the close connection between anti-corruption themed TV series and the social political context,the aesthetics of the sense of sublime of the main-stream culture is expressed in different landscapes along with the change of the context. With an investigation of both the selected spots and the entire field,three representative anti-corruption themed TV series,God is Watching,Absolute Power and In the Name of People,can be chosen to analyze the gradual change of the aesthetics of the sense of sublime in the anti-corruption themed TV series. The change of the sense of sublime is expressed in obvious ways in different stages of times. In early stage,the modeling of the image of "honest official"embodies a sensible sense of sublime of the figure. In the middle stage,the description of the relationship between "power and corruption"reflects a rational sense of sublime of the thematic meaning. Nowadays,the description of the people then expresses the sublime of humanity of the narrative subject. Form this specific theoretical perspective while combining social historical context and the public aesthetic demand,the inner mechanism of the change of the anti-corruption themed TV series can be investigated.
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