论顾彬《二十世纪中国文学史》的“距离观”  

On “Distance Concept” of GU Bin's A History of Chinese Literature in the 20th Century

作　　者：朱依娜 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《宜宾学院学报》2017年第9期77-84,共8页Journal of Yibin University

基　　金：2012年度国家社会科学基金重大项目"二十世纪域外文论的本土化研究"(12&ZD166);国家社会科学基金重点项目"文化产品创作生产的评价机制研究"(12AZD010)

摘　　要：在《二十世纪中国文学史》中,顾彬多次提到距离问题,他认为批评主体需要与批评对象的实用功利作用保持充分的距离,要充分关注作品的审美属性,距离成为他进行20世纪中国文学史书写的基本方法和根本准则。但他在叙述中国当代文学史时又深陷"现实意义"的泥淖,民族身份和文化背景使他不自觉地聚焦于中国暧昧含混现代性的消失问题,过多地关注当代中国文学的现实意义,这与他的"距离观"恰好相悖。In A History of Chinese Literature in the 20 th Century,GU Bin repeatedly mentions ＂distance＂.He believes that the critical subject needs to maintain enough ＂distance＂to the utilitarian function of the critical object,and gives full attention to the aesthetic property of literary works.＂Distance＂becomes the basic principle of his writing of Chinese literary history in the 20 th century.But he sinks into the mire of＂realistic meaning＂when he narrates the history of Chinese contemporary literature.The ethnic identity and cultural background make him unconsciously focus on the disappearance of the Chinese ambiguous modernity,and pay too much attention to the realistic meaning of Chinese contemporary literature.It is contrary to his ＂distance concept ＂exactly.

关 键 词：顾彬 二十世纪中国文学史 “距离观” 

分 类 号：I206.7[文学—中国文学]