基于中西方绘画色彩的当代中国工笔重彩画研究  

Contemporary Chinese Meticulous Color painting Based on Western Painting Color

作　　者：折文菁[1] 

机构地区：[1]兰州交通大学艺术设计学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2017年第5期27-29,共3页Journal of Lanzhou Jiaotong University

基　　金：兰州交通大学青年科学研究基金项目(2017026)

摘　　要：绘画具有时代性,当代工笔重彩画应该在承袭传统的基础上体现时代的审美特征,而且应对已有的成就进行创新,尤其是在色彩运用方面。中国绘画自元代以来,水墨一直处于主导地位,中国绘画一直倡导无色或单色的意境和韵味,但现代社会处于五彩缤纷,霓虹丰富的时代,对我们的绘画作品也提出了更高的要求。文章从色彩问题成为当代工笔重彩画变革首要考虑的问题出发,通过对中西古典绘画色彩特征的分析,提出当代工笔重彩画融合中西方绘画色彩观的有效途径,目的使中国当代工笔重彩画有新的突破和创新。Painting is epoch,meticulous color painting should be reflect the aesthetic characteristics of the times on the basis of inheritance,and to respond to existing achievements in innovation,particularly in the use of color.Chinese painting since the Yuan Dynasty,ink has been in a dominant position,Chinese painting has been advocating colorless or monochrome mood and charm,but modern society is in colorful and neon rich times,we also put forward higher demands on our paintings.The article begins with the question of color becoming the primary consideration of contemporary meticulous painting,through the western classical painting color features analysis,puts forward the effective way of the fusion of Chinese meticulous painting and painting,in order to the Chinese contemporary meticulous painting has a new breakthrough and innovation.

关 键 词：当代中国工笔重彩画 色彩体系 意象哲学色彩观 理性科学色彩观 

分 类 号：J202[艺术—美术]