迈克尔·契诃夫表演方法的跨文化理念  

Intercultural Idea of Michael Chekhov's Acting Technique

作　　者：衣凤翱[1] 

机构地区：[1]上海戏剧学院研究生部,上海200040

出　　处：《文化艺术研究》2017年第3期62-68,共7页Studies in Culture and Art

摘　　要：迈克尔·契诃夫表演方法深受"神秘主义"的影响,这浸润着其跨文化理念的身世。"意志论""人智说"等唯心主义哲学观使其跨文化理念的生命根基得以夯实。"梦幻现实主义"戏剧观催促着其跨文化理念的生命萌发。"创造性想象力""双重意识"表演观编录着其跨文化理念的成长密码。身体语言符号表征着其跨文化理念的身份实质。能动的能指显现着其跨文化理念的存在表情。多义的所指使其跨文化理念的生命姿态得以展示。身体叙事使其跨文化理念的处世规则得以揭示。Michael Chekhov s acting technique is deeply influenced by mysticism, which stems from his intercultural ideas. Idealist philosophies such as voluntarism and anthroposophy consolidate the foundation of intercultural ideas. Such ideas are bred by the concept of “ fantastic realism ” and cultivated by the ideas of “ creative imagination ” and “ double consciousness ”. The symbol of body language defines their identity. The dynamic signifier confirms their existence. The polysemic signified shows their vitality. Body narrative reveals their savoir-faire.

关 键 词：迈克尔·契诃夫 表演 方法 跨文化 

分 类 号：J812[艺术—戏剧戏曲]