现代戏剧视域中的陈瘦竹戏剧理论  

Chen Shou-zhu's Theatrical Theories from the Perspective of Modern Theatre

作　　者：朱玉宁[1] 

机构地区：[1]山东艺术学院戏剧影视学院,济南250300

出　　处：《文化艺术研究》2017年第3期82-87,共6页Studies in Culture and Art

基　　金：国家社会科学基金艺术学重点项目"20世纪中国戏剧理论批评史"(项目编号:08AB02)的阶段性成果

摘　　要：作为我国现代著名的戏剧理论家,陈瘦竹以悲剧论、喜剧论以及戏剧基本理论为基石,构筑起有特色的戏剧理论体系。在其戏剧理论建设中,陈瘦竹尤为重视理论与现实的结合、与批评的融合,并能自觉地将中国与外国的戏剧理论融汇起来。本文将其戏剧理论置于当时的学术语境中,通过对比他与宋春舫、朱光潜、熊佛西和章泯的戏剧理论,窥探出中国戏剧理论的发展方向,并说明他在中国戏剧理论的建设中具有承前启后的桥梁作用。As a famous theatrical theorist,Chen Shou-zhu built a distinctive system of theatrical theories based on tragedy, comedy, and basic theatrical theories. In the construction of his theoretical system, Chen Shouzhu attached great importance to the combination of theory, reality and criticism, and the integration of Chinese and foreign theories. This paper points out the development of Chinese theatrical theories by comparing the theories of Chen Shou-zhu, Song Chun-fang, Zhu Guang-qian, Xiong Fo-xi and Zhang Min and reading them in their context, to demonstrate that Chen Shouzhu was a transitional theorist in the history of Chinese theatre.

关 键 词：陈瘦竹 戏剧理论 悲剧 喜剧 话剧民族化 

分 类 号：J80[艺术—戏剧戏曲]