肯尼斯·雷克思罗斯诗歌中的中国文化因素考量——从认知诗学观照下的原型理论视角  

Perspectives on the Chinese Cultural Factors in Kenneth Rexroth's Poems

作　　者：迟欣[1] 

机构地区：[1]中国民航大学外国语学院,天津300300

出　　处：《吉林师范大学学报（人文社会科学版）》2017年第6期74-80,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：教育部人文社会科学规划项目"认知诗学视阈下的美国‘垮掉派’诗歌研究"(编号:13YJA752002)

摘　　要：从泰勒利用原型解释原始文化现象开始,原型理论发展至今已经将近150年。认知诗学观照下的原型理论是建立在认知语言学和心理学的基础之上,它让原型理论与文学研究再一次结合在一起。"原型"将不再被当作一种中介,也不仅仅拘泥于神话等文学范畴,它常表现为对诗学话语的特定的认知过程。"垮掉派"之父,肯尼斯·雷克思罗斯的诗歌蕴含的中国文化因素已经被读者和研究者广泛接受和认可。从诗学观照下的原型理论视角重新考量作为读者的雷克思罗斯对中国文化的领悟,同时重新审视雷氏诗歌对中国读者心理影响后产生的共鸣与误读,将为认知科学进一步拓展和深化,提供崭新的研究思路与内容。Prototype theory,evolving from Tylor＇s archetype application in primitive culture,has developed for almost one and half centuries.Based upon cognitive linguistics and psychology,prototype theory from the angle of cognitive poetics incorporates archetype theory and literature research again.＂Prototype＂will not be accepted as a medium,and not confined itself in the categories of mythology.Cognitive procession of poetic discourse will be displayed in prototype theory.Poems of Kenneth Rexroth,father of Beat Generation,embodies Chinese culture,which has been studied widely by various readers and researchers.Reconsidering Rexroth＇s understanding Chinese culture as readers,as well as how he permeates Chinese culture factors into his poems from the perspective of cognitive poetics will be exhibited in the article.Meanwhile,much attention will also be paid to Chinese readers＇ active response and misreading to Rexroth＇s poems.Thus,explanative power existing in cognitive poetics can be shown in the light of above analysis.

关 键 词：认知诗学 原型理论 中国文化 肯尼斯·雷克思罗斯 

分 类 号：I106.2[文学—世界文学]