由江西上饶现存《紫阳遗墨》论朱熹书学观  

Zhu Xi's Calligraphy Opinion Viewed from Existing Zi Yang Handwriting Carved On Stone in Shang Rao,Jiangxi

作　　者：王德荣[1] 

机构地区：[1]上饶师范学院,江西上饶334001

出　　处：《艺术百家》2017年第5期206-209,共4页Hundred Schools In Arts

基　　金：江西省社会科学"十三五"(2016)规划项目"南宋饶州;徽州书法家群体研究"(项目编号:16YS05)阶段性成果之一

摘　　要：南宋年间朱熹在江西饶州、信州、徽州等地区讲学著述,这一地区多有其书迹刻石留存,其中《紫阳遗墨》是清道光年间上饶知县曹人杰依据朱熹遗墨集字编成《训士箴》七章并铭于石,以期"与天下万世共宝之"。《紫阳遗墨》书法字字雄浑苍劲,敦厚朴拙,且碑石跋文未见收录,因此具有极高的书法价值和文献价值。虽然《紫阳遗墨》是集字石刻作品,但从中依然可以窥探朱熹求古求正,宗法秦汉晋唐笔意;崇尚自然,于有法处求无法的书学主张。将朱熹《紫阳遗墨》与其另一件作品《千字文》相对照,更能揭示出《紫阳遗墨》中所折射出来的书学思想。In southern Song dynasty, Zhu Xi gave lectures and wrote and compiled in Rao Zhou, Xin Zhou, Hui Zhou in Jiangxi province where his calligraphy carving were found. Zi Yang Handwriting was compiled by Shang Rao magistrate Cao Renjie according to Zhu Xi＇s calligraphy and was carved on stone so as to cherish it with people all around the country. Zi Yang Handwriting is sublime and vigorous, sincere and simple, and since the tablet inscription has never been collected, it has a very high calligraphy value and literature value. Reading Zi Yang Handwriting, we could find that Zhu Xi advocated Qin, Han, Jin, and Tang calligraphy style, and he sought the ultimate skills out of concrete skills.

关 键 词：书法艺术 集字石刻作品 朱熹 紫阳遗墨 书学观 

分 类 号：J20[艺术—美术]