夏敬观词学创作论试探  

An Exploration of Xia Jingguan's Writing Theory on Ci-Poetry

作　　者：胡建次[1] 

机构地区：[1]南昌大学人文学院,江西南昌330031

出　　处：《中国文学研究》2017年第4期74-78,共5页Research of Chinese Literature

基　　金：国家社会科学基金项目"民国时期重要词学理论批评承纳;建构与展开研究"(16BZW001);江西省高校人文社会科学研究项目"民国时期词学理论批评承纳;建构与展开研究"(ZGW1511)的阶段性成果

摘　　要：夏敬观的词学创作论,主要体现在创作主体论与创作方法论两大领域。在创作主体之论中,其内涵主要有三:一是标举真率,推扬性情;二是关注书卷,秉持襟抱;三是宗尚"学人而兼词人"的艺术境界。在创作方法之论中,其主张主要有四:一是"读词在先,起句在后";二是"理路既清,择途选韵";三是"词忌意晦语琢多典故";四是"一词作成,修改指摘"。夏敬观的词学创作论,在承衍前人基础上体现出富于融通的特点与追求创新的精神,为我国传统词学理论批评注入了新的生机和活力。Xia Jingguan＇s writing theory on Ci-poetry is mainly reflected in two fields： subject theory and methodology. In sub- ject theory, its connotation falls in three aspects： pursue of simplicity, concentration on writings and efforts to be a scholar as well as a Ci-poert. In methodology, he put up with four points： first, read Ci-poems before you write one; second, choose your rhyme after making clear of the logic; third, avoid obscure expressions and undue literary allusions; fourth, undertake a review and polish your poet. Xia＇s theory embodies both the traditional ones and the flexible and innovative characteristics, thus has injected vigor and vitality into traditional theoretical criticism of Ci-poetry.

关 键 词：夏敬观 词学创作 主体论 方法论 理论蕴含 

分 类 号：I207.23[文学—中国文学]