中西灵感论的异同及其对戏剧创作的影响——基于柏拉图与陆机灵感论的比较  

Similarities and Differences between Chinese and Western Inspiration Theory and its Influence on Drama Creation:A Comparison between Platon and Luji Inspiration Theory

作　　者：唐健清 

机构地区：[1]湖南科技学院传媒学院,湖南永州425199

出　　处：《怀化学院学报》2017年第10期104-107,共4页Journal of Huaihua University

摘　　要：在艺术创作中,灵感至关重要。由于中西文化差异,柏拉图和陆机对灵感的理解既有共同之处,又有很大差别。两人都认为灵感是非理性的,皆起源于不可知的神秘力量,都富有情感且自发而不可控制。由于时代背景差异,两人探索灵感的动机不同,柏拉图主要是为了贬低诗人,陆机则主要是探寻创作方法。而基于哲学观念和思维模式的不同,柏拉图对灵感的体验重在传递,陆机对灵感的体验重在探索。因此,不同灵感论对中西戏剧创作也产生了不同的影响。Inspiration is essential in artistic creation. Because of the differences between Chinese and Western culture,there are common understanding of inspiration for Platon and Luji. Theory both think that inspiration is irrational, all originated from unknowable mysterious forces,which are full of emotion and spontaneity and can not be controlled. Because of different background and the motives to explore the inspiration differs, Platon intended to belittle the poet, while Luji aimed to explore the method of creation. Based on different philosophical ideas and thinking modes,Platon paid attention to transferring in inspiration experience,while Luji emphasized explores in the inspiration experience. Therefore, different inspiration theories have different influences on Chinese and Western drama creation.

关 键 词：灵感 迷狂说 天机说 中西文化 

分 类 号：I23[文学—中国文学]