从《周易》看中华美学精神的源起  

On the Origin of Chinese Aesthetic Spirit from ZhouYi

作　　者：肖朗 XIAO Lang(School of Marxism, Southwest University of Political Science and Law, Chongqing 401120, China)

机构地区：[1]西南政法大学马克思主义学院,重庆401120

出　　处：《西南政法大学学报》2017年第5期3-8,共6页Journal of Southwest University of Political Science and Law

基　　金：重庆市社会科学规划项目(2016QNZX05);中国博士后科学基金资助项目(2016M602927XB);西南政法大学2017年校级资助项目(2017XZGN-10)

摘　　要：被称为百经之首的《周易》,是中国思想文化的源头。中华民族是一个富有美感的民族,审美在中国传统文化中占居非常重要的地位。《周易》虽然本身不是一部美学著作,但是为美学的发生发展奠定了基础,并奠定了极具民族特色的中华美学思想格局。《周易》天人合一的和谐美学论,阴阳交合的生命美学论,立象尽意的意象美学论,都是中华美学精神的主干和精髓所在。当下弘扬和发展中华美学精神需要回到源头,通过寻找和阐释传统美学的根基来复兴中国传统文化。ZhouYi is the source of Chinese culture. The Chinese nation Aesthetic occupies a very important position in Chinese traditional culture. is a nation ZhouYi is full of beauty, The not a Book about aesthetics, but which laid the foundation for the development of aesthetics and formed the strong national characteristics of the Chinese aesthetics. Which Harmonious aesthetics , life aesthetics and imagery aesthetics formed the main force of the Chinese aesthetics spirit . The development of Chinese aesthetic spirit needs to go back to the source to search and interpretation of traditional aesthetics.

关 键 词：《周易》 和谐美学 生命美学 意象美学 

分 类 号：B83-09[哲学宗教—美学]