民国晚期南京国立音乐院音乐演奏会考略——以1948年6月南京介寿堂演出为例  

A Study on Concerts Held by Nanjing National Conservatory of Music in Late Years of Republic of China(1912-1942)——Performance at Jieshou Hall in June 1948 taken as an example

作　　者：常晶[1] 

机构地区：[1]南京财经大学艺术设计学院,江苏南京210023

出　　处：《南京艺术学院学报（音乐与表演版）》2017年第3期36-41,共6页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：南京国立音乐院曾经是民国晚期的一所高等音乐专业学府,与民国时期的上海国立音乐专科学校、重庆青木关国立音乐院和建国后中央音乐学院有着一脉相承的关系。这所音乐院校留存于今的师生音乐演奏会史料可以再现出当年的办学状况与教学特色:该校师生多为我国近现代音乐史名家,开创了我国专业音乐教育的"幼小衔接"模式,注重音乐演奏会的社会普及意义,重视传统民族音乐教学研究与推广等,对后世的音乐发展有着积极的影响。Nanjing National Conser vatory of Music was an academy of musical studies in the lateyears of Republic of China, and it has a succession relationship with shanghai National College of Music, Chongqing Qingmuguan National Conser vatory of Music in the period of Republic of China, and Central Conser vatory of Music after the foundation of the People's Republic of China. Existing historical materials about concer ts held by the teachers and students in this conser vatory of music can revive the school-running conditions and teaching characteristics at that time: the teachers and students in the academy were mostly renowned musicians in Chinese modern music history; it pioneered the Mode of Transition from Kindergar ten to Primary School in professional music education in China; it paid attention to the social significance of popularization of music per formances; it emphasized the teaching, research and popularization of traditional folk music; thus it has a positive impact on the development of music in later generations.

关 键 词：南京国立音乐院 演奏会 中西并举 幼小衔接 办学特色 

分 类 号：J609.2[艺术—音乐] J603