论越剧在南京的传播与发展  

A Study on the Spread and Development of Yue Opera in Nanjing

作　　者：张婷婷[1] 

机构地区：[1]南京艺术学院艺术学研究所,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2017年第3期123-127,131,共6页Journal of Nanjing Arts Institute:Music & Performance

基　　金：高校优势学科建设工程资助项目(PAPD);高校哲学社会科学优秀创新团队建设项目"中国特色艺术理论建构与文化创新研究"(2015ZSTD008)阶段性成果;<江苏省高校社科团队:中国特色艺术理论建构与文化创新研究(DGXYJYS15)>阶段成果

摘　　要：越剧传入南京,肇始于1935年,40年代形成规模,获得南京观众的关注,最终开拓了南京的演剧市场,成为南京重要的剧种之一。50年代竺水招率领云华越剧团从上海到南京演出,并留驻南京成立南京市越剧团,为南京越剧的发展做出了巨大贡献。文革时期,越剧遭到毁灭性打击,其发展也全面停滞。改革开放的春风唤醒了越剧沉睡的种子,但在市场经济改革的时代背景下,越剧的观众市场逐渐萎缩,国营化的剧团改革势在必行。经过90年代以来的剧团改制,南京的越剧焕发出新的时代生机。Introduced to Nanjing in 1935, Yue Opera gained extensive attention in the 1940 s and became one of many theatre genres in the performance market of Nanjing. In the 1950 s, Zhu Shuizhao headed Yunhua Yue Opera Troupe which was based in Shanghai, came to Nanjing to perform and found Nanjing Yue Opera Troupe. During Cultural Revolution, Yue Opera suffered and stagnated. After reform and opening up, Yue Opera was revived. However, in the context of market economy reforms, Yue Opera audiences dwindled, and the nationalization of theatres was imperative. Since theatre restructuring of the 1990 s, Yue Opera in Nanjing has shown great vitality in the new era.

关 键 词：越剧传播 竺水招 南京市越剧团 剧团改制 

分 类 号：J809[艺术—戏剧戏曲] J825