由“猛”到“萌”的人物、主题与对话——新观影格局下中国喜剧电影创作趋势  

From "Fierce" to "Cute" Characters,Themes and Dialogues——The Trend of Chinese Comedy Films Creation in the New Viewing Pattern

作　　者：纪晓楠[1] 

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《吉林艺术学院学报》2017年第4期46-51,共6页Journal of Jilin University of Arts

摘　　要：当我们讨论新型观影模式时,"粉丝文化"已于当代语境中逐渐兴起,以年轻女性为主的庞大团体之观影独立意识开始觉醒,继而走向在场与狂欢。同时,在新观影格局持续走高的推动下中国喜剧电影整体创作趋势亦发生着辩证性改良,传统猛男英雄形象日益被萌男草根甚至直接女性英雄所替代,主题方面亦消解着宏大叙事反而转向生活中的小喜小悲,虽然看似滑稽荒诞但无不以强烈的情感共鸣与观众互动交流,缝合着现实带给普世的精神创伤。When we discuss the new mode of viewing, the ＂fan culture＂ has gradually emerged in the contemporary context, and the independent consciousness of the large group of young women has begun to awaken, and then to be present and to have carnivals. At the same time, driven by the sustained development of the new pattern, the Chinese comedy movies’ overall creation trend are dialectical, and traditional male hero images are increasingly replaced by the grassroots men or even female heroes. The theme also dissolves the grand narrative and turns to the small joys and sorrows of life. Although it may seem absurd, there is a strong emotional resonance interacting with the audience and healing the trauma that the reality brought to the world.

关 键 词：粉丝文化 国产喜剧电影 新型英雄形象 崇高精神补偿 

分 类 号：J992[艺术—电影电视艺术]