主体性的审美确认:以康德为代表的德国浪漫派美学与新时期纯文学观念  

Aesthetic Confirmation of Subjectivity: The German Romantic Aesthetics Represented by Kant and the Concept of Pure Literature in the New Period

作　　者：修雪枫[1] 

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《重庆三峡学院学报》2017年第6期96-101,共6页Journal of Chongqing Three Gorges University

摘　　要：康德的美学思想标志着古典美学的现代转型,他关于审美的阐释以及依存美的学说对西方现代美学的发展影响深远,特别是对以审美为生命价值的德国美学家们,决定了他们美学言说的基本框架。德国浪漫派美学家的学说与康德学说之间有着深层联系,他们的美学思想共同组成了新时期纯文学观念的西方美学资源,为新时期文学观念的转型与树立产生了实质的影响。Kantian Aesthetics marks the modern transformation of classical aesthetics, his aesthetic interpretation and development of the theory of dependent beauty of western modern aesthetics has far-reaching influence, especially on the aesthetic value of life of the German aestheticians, decided the basic framework of their aesthetic discourse. There is a deep connection between the theory of Kant＇s and the theory of German romanticism aesthetics, the aesthetic thoughts consist of pure literature in the new period of western aesthetics resources for literary conception in the new period of the transformation and set up had a substantial impact.

关 键 词：康德 浪漫美学 审美自由 主体性 纯文学 

分 类 号：I0-02[文学—文学理论]