本·奥克利的困境和《迷魂之歌》的面纱策略  

Ben Okri's Predicament and the Strategy of Veil in Songs of Enchantment

作　　者：郭秀娟[1] 

机构地区：[1]河西学院外国语学院,甘肃张掖734000

出　　处：《沈阳大学学报（社会科学版）》2017年第6期753-757,共5页Journal of Shenyang University:Social Science

基　　金：陕西省社科基金资助项目(2016J054);西安外国语大学2017年度科研重点资助项目(17XWA07)

摘　　要：论述了本·奥克利以表征非洲文化元素的叙述模式给自己的长篇小说《迷魂之歌》披上了民俗文化的美丽面纱,实质是在民俗文化外衣的遮盖下探讨"黑非洲文化整体复兴"以抗衡"欧洲中心主义文化"。通过反类型化的人物塑造来解构白人文化价值观,建构非洲族群的种族身份,颂扬非洲美学观,把民俗文化变成了与殖民主义和种族主义作斗争的行之有效的策略。the narrative mode used by Okri in his novel＂Songs of Enchantment＂is characterized by the employment of masses of the black African cultural elements to cast a veil of mystery of the folk culture,and the essence is to explore the way to revive＂black African culture＂so as to compete with＂the Eurocentric culture＂metaphorically.And by creating the anti-type characters,Okri tries to deconstruct the values of white cultural,construct the racial identity of black African,celebrate thought of aesthetics of black African,and make the folk culture an effective weapon to struggle against colonialism and racism.

关 键 词：本·奥克利 《迷魂之歌》 非洲民俗文化 解构性 

分 类 号：I106.9[文学—世界文学]