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作 者:徐寅
机构地区:[1]天津财经大学人文学院中文系,天津300222
出 处:《西北民族大学学报(哲学社会科学版)》2017年第6期103-108,共6页Journal of Northwest Minzu University(Philosophy and Social Sciences)
基 金:天津市哲学社会科学规划项目青年项目"多元文化影响下的当代藏族作家汉语创作研究"(项目编号:TJZWQN17-0022)
摘 要:当代中国藏族女作家汉语写作已经成为藏族文学的一个重要分支,它体现出女作家基于族裔立场的文化写作,同时又是她们不同于藏族男作家的性别写作。在用汉语书写的同时,藏族女作家们面对本民族母语写作的质疑,而在进入当代文学话语场域中时,她们又未能受到主流文坛应有的肯定。尽管如此,藏族女作家仍通过不懈努力,使汉语写作具备了族裔、宗教、性别等诸多美学特征,具有较强的时代性,反映了藏族女性生活的多姿面貌。对此,有必要予以更多的关注。The writing in Chinese language by Tibetan women writers has already become an important branch of Tibetan literature.This displays their cultural writing based on their ethnic stand,at the same time this is their gender writing different from Tibetan men writers.During writing in Chinese language,Tibetan women writers face the questioning from the writing in their native ethnic language;while entering the discourse context of modern literature,they have not got well-deserved approval from the mainstream of literary world.Despite of this,Tibetan women writers are still striving to help the writing in Chinese language obtain such aesthetic features as ethnology,religions and gender,show strong features of the time and reflect the colorful images of the life of Tibetan women.This needs more attention.
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