修辞政治:“温柔敦厚”的三个义涵——文学审美与伦理政治的有效融合  

Three Meanings of Moderation: The Effective Integration of Literary Aesthetics and Ethic Politics as a Practice of Rhetoric Politics

作　　者：刘锋杰[1] 范天阁 

机构地区：[1]苏州大学文学院

出　　处：《文艺理论研究》2017年第6期129-138,共10页Theoretical Studies in Literature and Art

基　　金：国家社科基金项目"文学政治学的历史形态与当代创新研究"[项目编号:13BZW002]的阶段性成果~~

摘　　要：政教论文学观提出的"温柔敦厚"艺术风格理论,是儒家伦理、专制政治影响文学的一个结果,同时,也是文学审美对于儒家伦理、专制政治的一种修辞实践。"温柔敦厚"形成了自身的系统特质,在写作的修辞策略上主张"主文而谲谏",在审美情趣上主张"中和之美",在抒情原则上主张"发乎情,止乎礼义"。"五四"新文学运动以后提出的"发乎情,亦止乎情"的创作原则取代了这一古典形态的风格理论。As a theory of artistic style within the domain of political cultivation, moderation is both the result and rhetorical practice of Confucian ethics and authoritarian politics. Moderation forms its own systemic characteristics, namely, roundabout admonishment in terms of rhetorical strategies, aesthetics of harmony regarding aesthetic taste, and a lyrical principle of starting with genuine feelings and stopping with good manners. However, after the May 4th Movement, it was replaced by the creation principle of ＂starting with genuine feelings, and ending with genuine feelings＂.

关 键 词：政教论 温柔敦厚 修辞政治 文学政治学 

分 类 号：I01[文学—文学理论]