民国时期上海舞女身份研究  

Research on the Dancing Girls' Identity in Shanghai 1912-1949

作　　者：任文惠[1] 

机构地区：[1]北京舞蹈学院国标舞系,北京100081

出　　处：《北京舞蹈学院学报》2017年第5期41-45,共5页Journal of Beijing Dance Academy

摘　　要：民国时期上海的舞厅业空前繁荣,在这种繁荣之下催生了舞女这一兼具新女性与消费商品双重属性的特殊群体,她们的身体属性在"看"与"被看"的二元对立中得以凸显,被建构成一种经由男性目光和消费话语权力共同作用下的具有多重身份的女性形象。然而作为消费社会和男权社会的附庸,舞女的"他者"身份使她们陷入了身份认同的困境。Shanghai dance industry had an unprecedented prosperity in 1912-1949 in China,which made a special group of dancing girls with two identities of new women and consumer goods. Their physical attributes are highlighted in the two extremes between ＂to see＂and ＂to be seen＂,and are formed into a female image with multiple identities of the male gaze and consumption discourse power. However,being dependent on the consumer and patriarchal society,the dancers＇ ＂otherness＂identity placed them in the dilemma of identity.

关 键 词：民国时期 舞厅舞 舞女 身份研究 

分 类 号：J709[艺术—舞蹈]