刘呐鸥小说中自然风景的内涵  

Connotations of the Landscape Descriptions in Liu Na'ou's Novel

作　　者：郭嘉颖 

机构地区：[1]暨南大学文学院,广州510632

出　　处：《嘉应学院学报》2017年第10期62-66,共5页Journal of Jiaying University

摘　　要：刘呐鸥是中国新感觉派的"灵魂人物",他的小说集《都市风景线》所描绘的是都市里各种摩登的、迷离的、光热的现代化事物。然而,学界除了关注这些五彩缤纷的现代事物外,同样也应该关注刘呐鸥小说是如何在中国古代文学风景描写中突围的。他创造性地把风景描写从古代的本体地位转变为点缀。他笔下的自然风景,既有乡村中的自然风景,亦有都市中的自然风景,二者各有其意,为作品增添了独特的色彩。同时,这些独特的自然风景描写一定程度上反映了都市的骚动不安和焦虑,揭示了人们在都市生存的状态。Liu Na＇ou was the soul of Chinese Neo- Sensationism. In his novel City Sceneries , he described various products of modernization which were bustling, confusing and bizarre. However, the academia should focus more on his breakthrough from the landscape description in China＇s ancient literature, besides his description of the lustrous and dazzling modern life. Liu changed the status of landscape description from predominance in ancient China into ornament. The landscape under his description was not only rustic but also metropolitan, which added great novelty in his work. Meanwhile, Liu＇s original descriptions of the landscape have reflected the restlessness and anxiety in modern city, showing people＇s living condition in metropolis.

关 键 词：刘呐鸥 《都市风景线》 风景描写内涵 都市生存 

分 类 号：I206.7[文学—中国文学]