“逸”:恽格绘画美学思想的核心观念  

“Yi”:The Core Concept in Yun Ge's Painting Aesthetics

在线阅读下载全文

作  者:张晶[1,2] 

机构地区:[1]中国传媒大学 [2]中国传媒大学北京市美育与文明研究基地

出  处:《常州大学学报(社会科学版)》2017年第6期100-108,共9页Journal of Changzhou University:Social Science Edition

基  金:国家社会科学基金一般项目"中国古代文艺理论对文艺美学的建构意义"(10BZW019)

摘  要:"逸"是宋元以来文人画的重要价值观念。唐代朱景玄作《唐朝名画录》,最早以"神、妙、能、逸"四品评画,所指系"非画之本法"、不主故常的画法。宋代黄休复作《益州名画录》也以四品评画,却以"逸、神、妙、能"为评价等级,并以"拙规矩于方圆,鄙精研于彩绘。笔简形具,得之自然。莫可楷模,出于意表,故目之曰逸格"加以界定。"逸"成为最高评价品级。"逸"在"元四家"尤其是倪瓒的绘画思想中成为最为鲜明的旗帜。在清初六家之一的著名画家、画论家恽格(南田)的画论及创作中,"逸"成为核心的绘画美学观念及价值标准。而南田画论中的"逸格""逸品""逸气",一方面是认同宋元以来的文人画"逸"的观念传统,一方面又从创作和评论的不同角度,为"逸"增添了新的内涵,使之具有了鲜明的时代特质。"Yi"has been an important value in literati paintings since the Song and Yuan Dynasties.Zhu Jingxuan in the Tang Dynasty took Shen,Miao,Neng and Yi as the four standards in painting criticism from the very beginning in his book Famous Paintings of the Tang Dynasty,and pointed out that the standards are"not the original law of painting",but in an innovative way.Huang Xiufu in the Song Dynasty also used four standards in painting criticism in his book Famous Paintings of Yi Zhou,but in an order of Yi,Shen,Miao and Neng by defining that"limited by the established rules,and paying too much attention to color description.Using simple methods in painting,the shape is in a natural way.It doesn't imitate but transcends the surface meaning,which is called the form of Yi".Thus,"Yi"has become the highest standard."Yi"became the most distinctive flag of"the four famous painters in the Yuan Dynasty",especially in Ni Zan's painting thoughts."Yi"also became the core painting aesthetic concept and value of Yun Ge's(Nantian)painting criticism and paintings,who was one of the six famous painters and painting critics in the early Qing Dynasty.On the one hand,"Yi Ge","Yi Pin"and "Yi Qi"in Nantian's painting criticism have been the approval of the traditional concept of"Yi"in literati paintings since the Song and Yuan Dynasties.On the other hand,they give"Yi"a new connotation and distinctive quality of the times from different perspectives of creation and comment.

关 键 词:“逸” 恽格 《南田画跋》 南北宗 

分 类 号:J201[艺术—美术]

 

参考文献:

正在载入数据...

 

二级参考文献:

正在载入数据...

 

耦合文献:

正在载入数据...

 

引证文献:

正在载入数据...

 

二级引证文献:

正在载入数据...

 

同被引文献:

正在载入数据...

 

相关期刊文献:

正在载入数据...

相关的主题
相关的作者对象
相关的机构对象