重新界定清代宫廷侉戏内涵  

Local dramas played in the royal court in Qing dynasty

作　　者：王岩[1] 李玫[2] 

机构地区：[1]中国社会科学院文学所,北京102488 [2]中国社会科学院研究生院,北京102488

出　　处：《河北师范大学学报（哲学社会科学版）》2017年第6期87-94,共8页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：清代前期内府题纲、剧本中所承认的"侉戏"实际上包含了两个系统的声腔:其一是标注为"吹腔"、"秦腔"、"梆子腔"的吹腔系统的声腔,用笛子伴奏;其二是演唱俗曲及标注为"柳子腔"、"南锣"或"弦子腔"等弦索系统声腔,用琵琶、三弦等弹拨乐器伴奏。此即清代内府"侉戏"概念与"侉调"、"侉腔"概念之间的区别,也是内府"侉戏"概念与民间"侉调"概念的区别,即无论是民间的"侉调"概念还是清内府"侉调"、"侉腔"概念,指的都主要是演唱俗曲的弦索腔系统的腔调;而内府"侉戏"概念则包含了弦索腔和吹腔两个不同的声腔系统。因此,侉戏并不能等同于早期"乱弹"概念,更与皮黄戏相距甚远,它是清代前期演唱吹腔或弦索腔的玩笑类小戏。In the early of Qing dynasty,the local dramas are thought to contain two styles,the Shaanxi,that is often played with flute accompaniment,and the southern,that is often played with chord,strings,pipa,or other plucked instruments.Thus,the difference between the local dramas played in the royal courts and those played by the folks lies in the tunes or styles.

关 键 词：清代宫廷 侉戏 侉腔 侉调 俗曲 

分 类 号：I236[文学—中国文学]