论袁宏道题跋文创作的尊体与破体  

Investigation on the Inheritance and Innovation of Postscripts' Stylistic Feature of YUAN Hong-dao

作　　者：左杨[1] 

机构地区：[1]中国社会科学院研究生院,北京102488

出　　处：《求是学刊》2017年第6期121-127,共7页Seeking Truth

基　　金：国家社科基金重大项目"易代之际文学思想研究";项目编号:14ZDB073

摘　　要：袁宏道的题跋文创作具有较高的水准,既有对传统题跋体制的继承,又在结构与笔法上尝试创造与新变。研究袁宏道题跋文的创作状况,有助于厘清晚明时期公安派文人的性灵至上观念与尊体意识之间的融通折中,并发掘公安派作家思想的复杂性,从而呈现晚明时期题跋创作状况和文体观念的真实内涵,以及文学思潮发展演变的客观面貌。YUAN Hong-dao＇ s postscripts have a high level. There are both the inheritance of the traditional stylistic criterion and innovation in the structural and writing method. Through the stylistic analysis on post-scripts by YUAN Hong-dao, the complex relationships and compromise will be discussed between the strict differentiation of styles and the emphasis on spirituality. This thesis has important academic value for compre-hending the stylistic features of postscripts, the evolution of literary trends in Late Ming Dynasty and the modem enlightenment.

关 键 词：袁宏道 题跋 尊体 小品化特征 

分 类 号：I206.2[文学—中国文学]