跨文化背景下中国形象的历史呈现——对《远东来信》的形象诗学解读  

Historical representation of China's Image in Cross-Cultural Context——the Poetics of Image in "Letter from the Far East"

作　　者：徐放鸣 李雍[2] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116 [2]南京林业大学家具与工业设计学院,江苏南京210037

出　　处：《江苏师范大学学报（哲学社会科学版）》2017年第6期27-32,125,共7页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

基　　金：2012年度国家社科基金重点项目"中国当代文艺实践中的国家形象构建研究"(批准号:12AZW003)的研究成果

摘　　要：长篇小说《远东来信》是关于国家形象的诗学研究中的新样本,呈现了"二战"历史中被忽视的中国形象的另一侧面。作品以宏大的国际视野,跨越了东方与西方,展现中国为世界反法西斯战争胜利作出的独特贡献,呈现了中国负责任的大国形象。作品打破抗战故事的传统叙事模式,跨越时空讲述苦难中的中国人作出巨大牺牲帮助犹太人的故事,塑造了善良、勇敢、热爱和平的中国人形象。作品彰显了中华民族的仁爱善良品性,也融通了中西文化中的人性价值,深化了中国国家形象的内涵,弥补了近代中国形象构建缺失的重要一环。作品在构建近代中国形象时,运用了时空交错的叙事逻辑、平民化的叙事视角、陌生化的跨文化叙事这三种叙事策略,具有独特的研究价值。As a new sample for the poetics study of national image,the novel ＂ Letter from the Far East＂ represents a neglected facet of China＇s image in the history of World War II.Crossing the border between the East and the West from a grand international perspective,the novel demonstrates the unique contributions that China has made to the victory of the world anti-fascist war and portrays China as a responsible big power.The work breaks the traditional narrative mode of resistance war story by telling the stories across time and space that the miserable Chinese people make great sacrifices to help the Jews and portrays a kind,brave and peace-loving image of the Chinese people.The work demonstrates the benevolent and kind characters of the Chinese nation and integrates the humanistic values of the Eastern and Western cultures deepening the connotation of China＇s national image and making up for an important part missing in the construction of modern China＇s image.In constructing modern China＇s image,the novel adopts three narrative strategies,which bear unique significance for study,i.e.,the tempo-spatial crisscross narrative logic,a civilian narrative point of view and defamiliarized cross-cultural narration.

关 键 词：《远东来信》 中国形象 形象诗学 跨文化视域 

分 类 号：I207.2[文学—中国文学]