村上春树小说的三角关系书写--以《挪威的森林》与《斯普特尼克恋人》为例  

The Writing of the Triangular Relationship in Haruki Murakami's Novels:Taking Norwegian Woodand Sputnik Sweetheartas Examples

作　　者：宋阳[1] 郭凯亮 

机构地区：[1]大连大学文学院,辽宁大连116622 [2]天山海世界,河北石家庄050000

出　　处：《绵阳师范学院学报》2017年第12期92-97,共6页Journal of Mianyang Teachers＇ College

基　　金：教育部人文社会科学研究基金青年项目“伽达默尔诗化哲学研究”(12YJC752028);辽宁省社会科学规划基金项目“当代西方解释学的古希腊渊源探究”(L13DWW008);辽宁省教育厅“高等学校优秀人才支持计划项目”(WJQ2014055)

摘　　要：村上春树的小说《挪威的森林》与《斯普特尼克恋人》在人物关系上都呈现出以性为纽带的一男二女三角式基本结构,且均表现为情敌"零碰撞"的假性三角关系。两部作品的三角建构在叙事功能上又各具不同的实现方式,前者以"次三角群"推动核心三角关系,后者以插叙倒叙辅助三角关系建构;同时,两部作品分别采用内聚焦和全知限知结合的视角以产生不同叙事效果。村上春树借鉴了言情小说惯用的三角模式,又融入明显的现代性叙事技巧,实现了对传统的超越。In terms of character relationship,both Norwegian Wood and Sputnik Sweetheart written by Haruki Murakami are based on the same fundamental triangular structure that is connected by sexuality and of " one man with two women",presenting a pseudo-triangular relationship of " zero collision" between rivals. The triangular structures of the two works have different implementation modes on the narrative function. In the former novel,secondary triangles promote core triangle,and in the latter,parentheticaland flashback narrations assist the construction of triangle; meanwhile,the two works respectively adopt inner-focus and omniscient/restricted perspective to create different narrative effects. Haruki Murakami has drawn on the familiar love triangle pattern of sentimental novels,integrated with obvious modernist narrative techniques and thus achieved a transcendence of traditions.

关 键 词：村上春树 三角关系 《挪威的森林》 《斯普特尼克恋人》 

分 类 号：I106.4[文学—世界文学]