论《为奴十二年》的闲笔艺术  

On the Casual Writing Art in Being a Slave for Twenty Years

作　　者：方志红[1] 

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《绵阳师范学院学报》2017年第12期117-121,共5页Journal of Mianyang Teachers＇ College

基　　金：国家社科基金后期资助项目"中国古代叙事文法理论研究"(14FZW020);信阳师范学院"南湖学者奖励计划"青年项目

摘　　要：闲笔理论作为中国古典叙事理论,在阐释中外叙事性文学作品上具有极强的有效性。用闲笔理论解读影片《为奴十二年》,其闲笔艺术体现为:次要人物、故事作为闲笔扩展叙事内容,自然情景作为闲笔增加文学意义,歌曲作为闲笔抒发人物情感,补笔作为闲笔完善人物形象。The theory of casual writing is a classic narration theory,which is efficient in narrating the story of China and abroad. Under the guidance of the theory of casual writing,this paper interprets the film of Being a Slave for Twenty Years and analyzes its casual writing art. The casual writing about minor characters and subsidy stories extends the boundary of its content,natural sceneries endowing literature sense,songs and music expressing the feelings of characters and extended story perfecting the image of characters.

关 键 词：《为奴十二年》 闲笔 叙述艺术 

分 类 号：J901[艺术—电影电视艺术]