葫芦丝的流变与发展  

The Evolution and Development of Hulusi

作　　者：吴学源 

机构地区：[1]云南省民族艺术研究院

出　　处：《民族艺术研究》2017年第6期122-132,共11页Ethnic Art Studies

摘　　要：葫芦丝,或称"葫芦箫",是云南铜簧把乌类乐器中的一种,主要分布在云南边境一带临沧市和德宏州近十个县的傣族、德昂族、布朗族、阿昌族、佤族等民族中,唯云南所特有。1980年以后,它登上了文艺舞台,走向全国,甚至走出了国门,是目前传播面最广、普及度最快的中国少数民族民间乐器。在传统文化的传承保护与文化产业的发展进程中,其成效显著,引人注目。葫芦丝的流行地域、流布民族、民族语称谓、基本类型与形制以及它与各民族风俗民情的联系和它赖以生存的社会文化背景,甚至有关民间故事都有非常值得书写的价值。目前在葫芦丝事业的发展中,面临的主要问题是乐器本身进一步的改革和发展,我们不能满足于现状,我们要继续坚持改革创新与产业化发展的道路。Hulusi,or Huluxiao,is one of the copper reed Bawu instruments in Yunnan. It is found in the frontier area of Yunnan such as Lincang City and ten counties in Dehong Prefecture where Dai,Deang,Bulang,Achang and Wa peoples reside. It is only found in Yunnan. After 1980,Hulusi has been staged across China and even was introduced overseas. It is the most disseminated and popularized Chinese ethnic minority folk instrument. During the transmission,protection and cultural industry development of traditional culture,it has drawn great attention. Hulusi is valuable in terms of its spread territory,players diverse nationalities,ethnic names,basic types,forms,its relationship with other ethnic cultures,its living social cultural context,and related folk stories. There are however some problems faced in the development of Hulusi such as the reform and development of the instrument. Thus,we should not be content with the current situation and we should insist on the road of reform,renovation and industrialized development.

关 键 词：铜簧把乌 葫芦笙 葫芦丝 葫芦箫 自簧乐器 异簧乐器 

分 类 号：J607[艺术—音乐]