《草堂诗馀》的性质及明代盛行原因再检讨  

Review of Function of Cao Tang Shi Yu and Reasons for Prevailing

作　　者：龚霞[1] 

机构地区：[1]浙江大学人文学院,浙江杭州310028

出　　处：《新疆大学学报（哲学社会科学版）》2017年第3期101-104,共4页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目"<全明词>重编及文献研究"(12&ZD158);教育部人文社会科学研究一般项目"<全明词>重编和研究"(11YJA751101);浙江省哲学社会科学规划重点课题"<全明词>重编和研究"(11JCZW03Z)

摘　　要：《草堂诗馀》在明代大为盛行,关于是编的性质与功能,学界主要有"应歌"和"入话"两种观点。《草堂》在内容及体例上存在的诸多问题,可以从现存宋人话本对词作的征引中找到合理的解释。《草堂》实为供说唱艺人使用的小型工具书,明代小说作者群对《草堂》系列的频繁使用便是这一功能的延续。与通俗文学的嫁接,是《草堂》在明代盛行的原动力。就其性质而言,它并非一部真正意义上的词选,因此,明人要赋予它词学的使命,一方面必须不断对它进行改造,另一方面也必然会失败。Since edited and published by an individual printing house in Southern Song Dynasty, Cao Tang Shi Yu was prevalent in Ming Dynasty. There are two statements about it＇ s function in aeademie circles： for singers and for story-tellers. Due to it＇ s content and style, Cao Tang Shi Yu is more suitable for considering as a mini reference book for story-tellers. Mixing together with popular literature is the main driving power of it＇ s popularity in Ming Dynasty and made the existent value in stories and dramas. Seriously speaking, it is not a proper selection of ci-poem, people made it undertake a mission of ci-poem by constantly transforming, but definitely failed. Though Cao Tang Shi Yu was evicted from ci-poem in Qing Dynasty, for mixing together with popular literature, it was not completely de- clined.

关 键 词：《草堂诗馀》 入话 明代小说 盛行原因 

分 类 号：I207[文学—中国文学]