从模仿到适变——西方古典柱式在镇江近代建筑中的本土化运用研究  

From Imitation to Adaptation: Study on the Localization of the Western Classical Order in Modern Buildings in Zhenjiang

作　　者：刘佳[1] 过伟敏[1] 

机构地区：[1]江南大学设计学院

出　　处：《艺术设计研究》2017年第4期72-77,共6页Art & Design Research

基　　金：2013年度教育部人文社会科学研究青年基金项目(项目编号:13YJC760059)阶段性成果

摘　　要：西方古典柱式是近代时期西方建筑文化向中国传播过程中的标志性符号,本文基于对镇江近代建筑的全面考察与史料整理,分析了西方古典柱式在镇江近代建筑中的本土化运用方法,并对其特点和成因进行解析。试图通过以点带面地分析,解读了西方建筑及文化被本土化演绎、中国传统建筑及文化是接纳并适应西方文化的这一进程。并对其成因进行分析,进而折射出与镇江类似的近代局部开埠城市建筑现代转型的特点。Western classical order is the symbol of the western architectural culture to China during the period of modern times. Based on the comprehensive investigation of the early modern building and the collation of historical data in Zhenjiang, the specific method of using the localization of western classical orders were analyzed in the paper. The characteristics of the localization of western classical orders and its causes were analyzed. This article attempts to clarify the interpretation how the western culture is localized and how the Chinese traditional culture accept and adapt to western culture. And then he paper reflects the modern transformation characteristics of modern local port city similar to Zhenjiang.

关 键 词：西方古典柱式 近代建筑 本土化 中西合璧 镇江 

分 类 号：J18[艺术—艺术理论] J59