归纳与演绎:关于《琵琶记》悲剧品格的探讨  

Induction and Deduction:Discussion about Tragedy Character of 'The Story of Pipa'

作　　者：李想 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《牡丹江大学学报》2018年第1期25-28,共4页Journal of Mudanjiang University

摘　　要：被称为"南戏之祖"的《琵琶记》是元末南戏振兴的标志之一,也是最为典型的文人悲剧。因高明在《赵贞女》的基础上改变了戏剧冲突的性质,故自传世以来,关于其悲剧品格有诸多争议与分歧。本文采用归纳与演绎的逻辑思维方式,在动态的《琵琶记》剧本流传、接受的历史上,借助中西悲剧比较研究,独立探讨《琵琶记》的悲剧特质,分析"这般另做眼儿看"的深层悲剧蕴涵。＇ The Story of Pipa ＇ is one of the symbol in the process of developing the southern opera in the end of Yuan Dynasty. It is known as the ancestor of southern opera; it is also the key tragedy of literary men. Therefore, handed down since ancient times, there are lot of disputes and controversy about tragedy character, due to the Gao Ming, who changed the quality of dramatic confict based on the Chaste Women Zhao and Erlang Cai. This article uses the logic of induction and deduction, reserving and comparing the tragic drama based on the tragic drama between the China and Western. This article references the history in the spread and accepted of the dynamic script of ＇ The Story of Pipa ＇. In addition, this article discusses the tragic characteristics of ＇ The Story of Pipa ＇ independently, to analyses the tragic implication of ＇evaluting with other respects＇ deeply.

关 键 词：《琵琶记》 悲剧品格 中西悲剧 接受史 

分 类 号：I206[文学—中国文学]