论明传奇《焚香记》文本流传的特征  

Features of Circulating Ming Drama Fen Xiang Ji

作　　者：朱园园 

机构地区：[1]华侨大学,福建泉州362000

出　　处：《龙岩学院学报》2017年第6期48-51,共4页Journal of Longyan University

摘　　要：明传奇《焚香记》的文本流传方式为全本刊印和选本收录两种。对全本形式来说,玉茗堂本、《六十种曲》本均是由万历年间李卓吾本发展而来。选本收录则有两种类型:与全本内容存在差异的选本,其内来容源于演出舞台,是以表演和清唱为主要功能的折子戏选本;《怡春锦》等与全本内容相同的选本,是人为从全本戏中摘选出的、以阅读或者清唱为主要功能的选本。由此,厘清了学界关于明传奇《焚香记》的文本流传问题。The Ming drama Fen Xiang Ji has two versions,of which one is a complete version and the other is an anthology. As for the complete version,both Yu Ming Tang Version and the 60 Songs Version have evolved from Li Zhuowu Version in Wanli Emperor Period of the Ming Dynasty. There exist two kinds of anthology,whose content is different from the complete version,which are derived from the play scripts,for the purpose of stage play and singing. The content of the anthology operas like Yi Chun Jin is the same as the complete version,for the purpose of reading and singing,which were chosen from the theater scripts. Therefore doubts about the evolvement of the Ming drama Fen Xiang Ji have been clarified comprehensively.

关 键 词：《焚香记》 六十种曲 选本 折子戏 

分 类 号：I207.37[文学—中国文学]