《钟》:艾丽丝·默多克道德哲学之文学阐释  

On Iris Murdoch's Literary Representation of Her Moral Philosophy in The Bell

作　　者：姚学丽[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230061

出　　处：《黄山学院学报》2017年第6期40-44,共5页Journal of Huangshan University

摘　　要：艾丽丝·默多克的第四部小说《钟》通过文学的方式阐释了作家关于"形而上"与"经验主义"兼而并蓄的道德哲学。小说里,介于茵堡修道院与世俗伦敦生活之间的茵堡农庄实验式生活是默多克对调和两种道德观念进行的尝试。在小说人物塑造上,对"习俗型"和"神经质型"人物的批判,对在"责任"与"精神转变"之间进行勇敢尝试的人物的刻画,体现出默多克试图在"形而上"与"经验主义"道德理念之间进行平衡的努力。In her fourth novel The Bell, Iris Murdoch provides a literary representation of her moral philosophy which is aimed at bridging between the metaphysical extreme and the empiricist extreme of morality. Life experiment in Imber Court, an intermediary living between life in Imber Abbey and that in London, embodies Murdoch＇s attempt to combine the two extremes of morality. The criticism of people of convention and people of neurosis and the thick description of those who initiates their spiritual changes while keeping to their duties show Murdoch＇s emphasis on the importance in balancing the two extremes.

关 键 词：艾丽丝·默多克 《钟》 道德哲学 

分 类 号：I106.4[文学—世界文学]