现代主义无边界  

Modernism without Borders

作　　者：伊恩·麦克莱恩 刘宝(译)[2,3] 

机构地区：[1]澳大利亚卧龙岗大学 [2]中国矿业大学徐海学院,江苏徐州221008 [3]中国社会科学院研究生院,北京102488

出　　处：《北京科技大学学报（社会科学版）》2017年第6期52-60,共9页Journal of University of Science and Technology Beijing(Social Sciences Edition)

摘　　要：帝国主义时代虽然已经终结,但其现代主义的文化却再一次引发了人们的兴趣。后殖民阶段新的力量布局让人们思考现代主义非西方历史的可能性及意义所在。随着新的"当代"概念的应运而生,后殖民批评为新的"当代"认识论构建了基础,"多元现代性"的宏伟蓝图被描画出来,现代主义被称为"没有国界的艺术"。恩维泽用黑格尔式的逻辑证明非洲当代艺术不是后现代主义对现代主义的拒绝,而是现代性"目的论延展"的结果。现代性不能被否定,只能被完成。The imperialist era is over but its culture of modernism again holds our interest. The new postcolonial arrangements of power have left us wondering about a possible non-Western history of modernism and what it might mean. With the coming of the new epistemology＂the contemporary＂,the postcolonial critique established the ground for it,and the blueprint for Modernites Plurielles was depicted,modernism was regarded as＂art without borders＂. In Hegelian fashion,Enwezor argues that African contemporary art is not a postmodernist＂rejection of modernity and modernism＂but,on the contrary,the result of modernity＇s＂teleological unfolding＂,modernity cannot be disavowed,it can only be worked through.

关 键 词：现代性 现代主义 原始主义 边界诗学 

分 类 号：G0[文化科学]