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机构地区:[1]东北大学外国语学院,辽宁沈阳110819 [2]辽宁大学文学院,辽宁沈阳110036
出 处:《东北大学学报(社会科学版)》2018年第1期105-110,共6页Journal of Northeastern University(Social Science)
基 金:辽宁省社会科学规划基金资助项目(L16BWW006)
摘 要:随着"后理论"时代的来临,作为文化研究范式的后马克思主义与后现代女性主义文艺思想相勾连,衍生出"新左翼女性美学"。以桑塔格《迷惑人的法西斯主义》为蓝本,挖掘新左翼女性主义者如何从女性的独特视角出发,揭示和批判法西斯审美政治化与父权意识的暗合,指出法西斯强权美学的哲学根源实为父权中心主义所推崇的同一哲学。桑塔格"新左翼女性"美学在审美与政治的碰撞中书写着新左派特有的文化品位和先锋美学思想,将政治、审美、性别意识纳入后马克思主义框架加以考察,对后现代女性主义哲学的发展提供了新的思路和方向,对开阔马克思主义当代视域具有重要学术意义,同时对警惕各种新式极权主义具有现实意义。With the coming of"post-theory"era,as a cultural research paradigm,post-Marxism is connected with postmodern feminist literary theory,and "new leftist feminist aesthetics"is thus derived.Based on Sontag's Fascinating Fascism,the paper explores how new leftist feminists,from the unique female perspective,reveal and criticize the collusion of aesthetic politicization and patriarchal ideology,and points out that the philosophical root of the powerful fascist aesthetics is the same philosophy advocated by Androcentrism.Sontag's "new leftist feminist aesthetics"shows unique cultural taste and pioneering aesthetic thoughts of the new leftist in the collision of aesthetics and politics.It studies politics,aesthetics and gender consciousness in the post-Marxist framework,and provides new thoughts and directions to the development of post-modern feminist philosophy.New leftist feminist aesthetics has important academic meaning in expanding the Marxist contemporary domain, while is of significance in alerting various new totalitarianisms.
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