人类末世的多维建构——《不祥的蛋》的题材和主题分析  

The Dimensional Construction of Mankind's Last Phrase: Analysis of Genre and Theme of The Fatal Eggs

作　　者：孙影[1] 

机构地区：[1]黑龙江大学俄语学院,黑龙江哈尔滨150080

出　　处：《东北亚外语研究》2017年第4期72-78,共7页Foreign Language Research in Northeast Asia

基　　金：教育部人文社会科学重点研究基地重大项目"当代俄罗斯文化思潮演变及其影响研究"(14JJD740002);黑龙江大学研究生创新科研项目"伊凡.布宁小说创作的时间美学"(YJSCX2016-005HLJU)的阶段性成果

摘　　要：俄罗斯作家米哈伊尔·布尔加科夫在其中篇小说《不祥的蛋》中同时从科学、政治和宗教维度切入建构他所预见的人类末世,题材间性使末世主题同时以滥用科学后的恶托邦、红色之城的末日和"逐出伊甸园"这三种形式相互独立,但意涵高度一致的样态存在。小说丰富的故事内涵正得益于"多声部"叙事造成的审美共鸣。《不》中的题材和主题也涵盖了布尔加科夫创作中的一套典型语句。In his novella The Fatal Eggs（1924）, Russian writer M. Bulgakov constructed his view of mankind＇s last phrase simultaneously in the three dimensions of science, politics and religion. Heterogeneity among genres has enabled the existence of the individual yet highlyconsistent implications of the theme of ＂last phase＂ in the three patterns of the ＂dystopia＂ of science, the end of ＂Red City＂ and ＂the expulsion from the Garden of Eden＂. The abundant content of this novella is the consequence of the aesthetic resonance brought about by the form of ＂polyphonic＂ narration. The genre and theme of The Fatal Eggs have also covered a set of discourse typical in Bulgakov＇s literary works.

关 键 词：布尔加科夫 不祥的蛋 题材 主题 末世 

分 类 号：I06[文学—文学理论]