美丽的平衡——论“中间代”诗人的性别书写  

Perfect Balance: Middle-Generation Poets' Writings with Gender Traces

作　　者：邵波[1] 

机构地区：[1]黑龙江大学文学院

出　　处：《文学与文化》2017年第4期99-105,共7页Literature and Culture Studies

基　　金：国家社会科学基金项目"中国1960年代出生诗人研究"(14CZW063)阶段性研究成果;2014年度黑龙江省教育厅人文社会科学项目"新时期以来诗歌的生态意蕴研究"(12542216)阶段性研究成果

摘　　要：20世纪90年代后期以降,"中间代"女诗人集中登陆中国当代诗坛,诗人和诗作的数量蔚为可观,从对女性意识言说的感觉经验,到诗艺诗思运用的多元化程度,再到女性主义诗歌对历史现实关注的深度和广度,都丰富了"中间代"诗歌的性别诗学和写作空间。同时,受到新世纪诗歌传播手段、诗歌创作方式和文化语境的多重影响,"中间代"女诗人有意寻找重新命名自身突破重围的机会,一定程度上拓展了当代女性主义诗歌在写作风格、传播方式、阅读体验上的多维路径。Since the late 1990s, middle-generation female poets flooded into modem Chinese poetic circles, with a huge number of poets and poems. Middle-generation poetry has been enriched in gender and space, from feminine experience, to poetic techniques and creations, and to the involvement historic and realistic expression of feminine poetry. Inspired by the communication media in the new century, poetic evolution and cultural context, middle-generation female poets tried to find out the breakthroughs for themselves, opening up more ways for modem feminine poetic styles, modes of transmission, and reading experiences.

关 键 词：“中间代”女诗人 女性意识 智性写作 “新红颜写作” 

分 类 号：I207.25[文学—中国文学]