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作 者:Moula Evangelia Christodoulidou Louiza
机构地区:[1]Secondary Education, Rhodes, Greece [2]University of the Aegean, Rhodes, Greece
出 处:《Journal of Literature and Art Studies》2018年第2期181-189,共9页文学与艺术研究(英文版)
摘 要:The long-term biased critical reception of comics did not allow the medium's theoretical remodeling, the highlighting of its multidimensionality and complexity, and its establishment as a self-sufficient and serious narrative medium. The creators of graphic novels in an attempt to upgrade and restore their "ancestors'" cultural status and to eliminate the negative stigma of the medium, by taking advantage of the self-referencing techniques, they try to redefine comics and reframe the field of their social practice. Graphic novels, even more, either allusively or straightforwardly, aquire metatextual quality, by exercising critique on the artistic phenomenon in general and on comics' history and theory in particular. Self-referentiality and metatextuality function as 'internal legitimization apparatuses of the medium and provide graphic novels the right to participate in the theoretical discourse, negotiate or even rearticulate it.
关 键 词:graphic novels COMICS self-referentiality metatextuality
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