论桐城诗派的两条诗学路径  

Two Poetical Paths of Tongcheng Poetry School

作　　者：叶当前 

机构地区：[1]安庆师范大学文学院,安徽安庆246011

出　　处：《安庆师范大学学报（社会科学版）》2017年第5期1-7,共7页Journal of Anqing Normal University：Social Science Edition

基　　金：国家社会科学基金后期资助项目"六朝送别诗研究"(13FZW058)

摘　　要：桐城诗派由姚范、刘大櫆开宗立派,在姚鼐、朱孝纯手中发扬光大,形成奇险与雄奇两条风格互补的诗学路径。奇险支派是桐城诗派的主流,重视学习黄庭坚、韩愈与杜甫,姚范诗作往往以学问为诗,爱用生词僻字,好用事用典,常以虚字入诗,对姚鼐一脉产生一定影响。雄奇支派逐渐被熔铸唐宋的诗学传统所淹,在桐城诗派史上不显,刘大櫆以才气为诗,通过句式变化与夸饰手法创造雄奇诗风;朱孝纯游历较广,其雄奇诗风多得山川之助。Tongcheng poetry school,started by YAO Fan and LIU Dakui,was developed to a great height by YAO Nai and ZHU Xiaochun,generating two complementary poetic styles featuring ingeniousness and grandness.The former is the mainstream of Tongcheng poetry school,following the style of HUANG Tingjian,HAN Yu and DU Fu.YAO Fan,poetizing on the basis of his learning,liked to cite examples and allusions and employ rare words and function words,having an influence on YAO Nai and his students.The latter style,gradually forgotten in the process of forging Tang and Song-style poetic tradition,was not prominent in the history of Tongcheng poetry school.LIU Dakui,poetizing on the basis of his literary talent,used to create grand poetic style by changing sentence patterns and ornate languages.ZHU Xiaochun,travelling a lot,also advocated grand style with the aid of mountains and rivers.

关 键 词：桐城诗派 姚范 刘大櫆 雄奇 奇险 

分 类 号：I207.22[文学—中国文学]