云南少数民族歌场的类型与功能  

The Types and Functions of the Singing Fields of Minority in Yunnan

作　　者：杨晖[1] 黄龙光 

机构地区：[1]云南师范大学华文学院 [2]云南师范大学学报编辑部

出　　处：《河南教育学院学报（哲学社会科学版）》2017年第6期24-29,共6页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)

基　　金：2015年教育部人文社科基金青年项目"文化空间视野下西南少数民族歌场研究"(15YJCZH199);2013年云南省教育厅科学研究重点项目"文化空间视野下云南少数民族歌场研究"(2013Z015)

摘　　要：少数民族歌场是少数民族自古以来在固定的时间和既定的空间,集传统神圣祭仪、歌舞展演与社会互动等为一系列核心符号及其表征的文化综合体。根据歌场内涵及其表现形式,云南少数民族歌场总体上可划分为生产类歌场、祭祀类歌场、交游类歌场与集贸类歌场四类。云南少数民族歌场具有历史记忆、文化认同、社会交流与地域整合等主要功能。作为文化空间类非物质文化遗产与重要的民族文化资源,云南少数民族歌场对民族文化多元发展与族际互嵌整合、构建并维系边疆民族团结和谐具有重要现实意义。With the fixed time and certain space, the singing fields of minority in Yunnan are the cultural complex of a series of core symbols and the representations, which include sacred sacrificial rituals, songs and dance performance and social interactions. According to the connotations and the forms, the singing fields can be divided into four types： productive fields, sacrificial fields, social interactive fields and fair fields. The singing fields have the functions of historical memory, cultural identity, social interaction and regional integrity. As an intangible cultural heritage of cultural space and the key ethnic cultural resources, Yunnan singing fields are meaningful for pluralistic development of ethnic cultures, and the stability of national unity and har- monious society.

关 键 词：云南少数民族歌场 类型与功能 地域整合 

分 类 号：J607[艺术—音乐]